Bibaho Obhijaan Movie Free Download || Bibaho Obhijaan 2019 Full Movie Download ||Bibaho Obhijaan Full Movie Watch Online || Amazon Obhijaan Full Movie Download in Bengali 3gp
Bibaho Obhijaan Movie Free Download || Bibaho Obhijaan 2019 Full Movie Download ||Bibaho Obhijaan Full Movie Watch Online || Amazon Obhijaan Full Movie Download in Bengali 3gp
Story: The film accounts the misfortunes of two dear companions, Rajat and Anupam, who are attempting to make tracks in an opposite direction from their oppressive spouses.
Audit: Bibaho Obhijaan is a fun and happy frolic sure to engage those hoping to go through two hours disregarding their lives outside. In any case, for those looking further, it might frustrate as the cleverness is shallow and singles out obvious objectives. Executive Birsa Dasgupta attempts to shape a crisp and breezy film about the shackles of marriage, yet misses the mark as he centers for the most part around the issues of the spouses and delineates their significant other as genuine annoyance.
Rajat and Anupam (played by Rudranil Ghosh and Ankush individually) are hen-pecked at home and terrible at work. Rajat's unattractive spouse, Maya (Sohini Sarkar), is inundated in her day by day pujas and megaserials, tying madulis for favorable luck in each appendage of her significant other. Anupam's better half Rai (Nusraat Faria), then again, is a kind of 'urban progressive', going to revives and dissents over the city. One has a lot of love for her significant other while different lacks the capacity to deal with him. Feeling stuck, Rajat and Anupam devise a break to Darjeeling for a couple of days. Be that as it may, it doesn't work out as expected as they are captured by dacoits in transit.
That is the reason. Also, in the main half, it holds guarantee. Be that as it may, an issue is with the pacing of the film. The watcher is tossed straight into the hardships of these two men without demonstrating their lives before that or why they are so hopeless. Be that as it may, using beautiful characters and clumsy and entertaining circumstances, the film moves along energetically and breezily.
The subsequent half, with its kidnappings, mistaken assumptions and misfortunes, feels excessively long and somewhat dreary. Anirban Bhattacharya, for the most part a reliable and pliant entertainer, assumes control throughout the subsequent half. Be that as it may, here, he appears to be unwell as the head of the dacoits, who has his very own affection issue. Rudranil, Ankush, Sohini and Nusraat are focused on their parts and play them with pizazz and funniness. Rudranil, who has written the content and discoursed as well, is particularly great.
The content isn't awful however unsurprising in parts. In spite of the fact that that isn't such an awful thing for comic tricks, it the item arrangements in the film that is particularly diverting. From condoms to cold beverages, all discover a spot here and weakens the pith of the film a lot. The music by Jeet Gannguli, particularly the title track, is foot-tapping. The tight altering by Md Kalam dazzles as he figures out how to envelop things with two hours as it were.
By and large, it is a fun and pointless film that loses claim when you ponder it. Yet, maybe, that was the aim of the movie producers.
— Srijoy Mukherjee
Story: The film accounts the misfortunes of two dear companions, Rajat and Anupam, who are attempting to make tracks in an opposite direction from their oppressive spouses.
Audit: Bibaho Obhijaan is a fun and happy frolic sure to engage those hoping to go through two hours disregarding their lives outside. In any case, for those looking further, it might frustrate as the cleverness is shallow and singles out obvious objectives. Executive Birsa Dasgupta attempts to shape a crisp and breezy film about the shackles of marriage, yet misses the mark as he centers for the most part around the issues of the spouses and delineates their significant other as genuine annoyance.
Rajat and Anupam (played by Rudranil Ghosh and Ankush individually) are hen-pecked at home and terrible at work. Rajat's unattractive spouse, Maya (Sohini Sarkar), is inundated in her day by day pujas and megaserials, tying madulis for favorable luck in each appendage of her significant other. Anupam's better half Rai (Nusraat Faria), then again, is a kind of 'urban progressive', going to revives and dissents over the city. One has a lot of love for her significant other while different lacks the capacity to deal with him. Feeling stuck, Rajat and Anupam devise a break to Darjeeling for a couple of days. Be that as it may, it doesn't work out as expected as they are captured by dacoits in transit.
That is the reason. Also, in the main half, it holds guarantee. Be that as it may, an issue is with the pacing of the film. The watcher is tossed straight into the hardships of these two men without demonstrating their lives before that or why they are so hopeless. Be that as it may, using beautiful characters and clumsy and entertaining circumstances, the film moves along energetically and breezily.
The subsequent half, with its kidnappings, mistaken assumptions and misfortunes, feels excessively long and somewhat dreary. Anirban Bhattacharya, for the most part a reliable and pliant entertainer, assumes control throughout the subsequent half. Be that as it may, here, he appears to be unwell as the head of the dacoits, who has his very own affection issue. Rudranil, Ankush, Sohini and Nusraat are focused on their parts and play them with pizazz and funniness. Rudranil, who has written the content and discoursed as well, is particularly great.
The content isn't awful however unsurprising in parts. In spite of the fact that that isn't such an awful thing for comic tricks, it the item arrangements in the film that is particularly diverting. From condoms to cold beverages, all discover a spot here and weakens the pith of the film a lot. The music by Jeet Gannguli, particularly the title track, is foot-tapping. The tight altering by Md Kalam dazzles as he figures out how to envelop things with two hours as it were.
By and large, it is a fun and pointless film that loses claim when you ponder it. Yet, maybe, that was the aim of the movie producers.
— Srijoy Mukherjee
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