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Story: Sonada (Abir), Abir (Arjun) and Jhinuk (Ishaa) visit the Debroy family during Durga Puja just to unearth on a fortune chase that leads them to the fortune covered up in the family's old hereditary manor, Durgeshgor.

Survey: Durgeshgorer Guptodhon is, most importantly, a two-hour-long exercise on Bengal's rich history and conventions. Be that as it may, this coin, similar to some other, has different sides. On one side, it's a supplemental class in Bengal's history, conventional qualities and traditions, giving it a solid narrative feel. Also, on the other, there's the rush of the fortune chase. In any case, more of that rush in the main half would have certainly made it a superior watch. It appears to take too long to even think about picking up pace, making the primary a large portion of somewhat of a drag.

In any case, aside from the conspicuous profundity of research behind the content, the film unquestionably procures extra atta boys for the visuals and the music, which is a necessary piece of the fortune chase. It's the melodies and the verses that continue divulging the pieces of information that guide Sonada and group towards the fortune covered up in Durgeshgor. The visuals have a natural country fascinate that we enormously miss in the midst of the lowly of city life. Indeed, even the portrayal of Durga Puja in the Debroy family unit has been kept to the minimum essentials, featuring just the parts which are important to the storyline. Had the attention been more on this part of the festivals, even the subsequent half would have been backed off hopeless. It's additionally evident that a great deal of research has gone into picking the correct areas and making the correct pieces of information. Be that as it may, the enhanced visualizations bound scene in which Arjun plunges into a town lake to discover a piece of information could have been more reasonable. No, there's nothing amiss with the impacts. It's the length for which Arjun otherwise known as Abir, somebody who has as of late figured out how to swim, holds his breath that makes it somewhat incredible. A couple of moments more and he could have beaten a new kid on the block free jumper! In addition, he is by all accounts breathing typically submerged. No air pockets stream out of his mouth or nostrils, which appears somewhat unnatural. Indeed, even the perceivability inside the water, and that too at night, is a touch ridiculous.

Coming to exhibitions, there's literally nothing topsy turvy. All characters, particularly Kaushik Sen and Kharaj Mukherjee, totally shake their jobs. Indeed, there's a hole in the content opposite Kaushik's character that remains as such till the end, however that doesn't remove anything from his presentation. It's a scripting blemish that clearly emerged when the author made a decent attempt to confound the group of spectators. It succeeds, yet there's no clarification for it — Kaushik's cooperation with a worker — till the end, making that bypass excess.

By and large, Durgeshgorer Guptodhon has figured out how to remain consistent with its sort and its first portion, Guptodhoner Sondhane, and certainly makes for a decent watch. Abir's (Arjun) love for sustenance gives us enough motivations to grin, if not giggle, up and down the film. In this way, feel free to put it on your end of the week watchlist. It will be an engaging knowledge.

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