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Story: The film tells the story of Shankar, an average little time merchant, who battles to change his every day life when a shopping center comes up in the area.

Shankar Mudi is a satisfying film when it centers around its center subject. However, when it deviates, an entire host of exacting 'warnings' is raised. Basically, it is a cut of-life film about the life of a customary food merchant, who is companion and friend to everybody in the area. The story is commonplace. The Barbershop arrangement of films ring a bell, which managed a comparative subject — with a hairdresser as the hero rather than a food merchant. Be that as it may, the content of Shankar Mudi attempts to come to a meaningful conclusion. Furthermore, in attempting to do as such, sits around idly harping on issues that have little to do with the center subject.

The story starts just enough and you feel the daintiness of the content. Shankar is more than a mudi. A well-intentioned, kind and round man (played decisively by Kaushik Ganguly), he is the core of the area. Having run his shop there for a very long time, he knows the requests and propensities for his clients superior to anything they do. Also, the clients trust him with their shopping, and once in a while, their lives. For Shankar Mudi isn't only the proprietor, he is a piece of their reality in daylight and downpour, sharing each predicament and happiness and expanding unequivocal help — regardless of whether it means striking off advance records of certain clients after their passing.

Be that as it may, there's a tempest preparing. Remote direct speculation and enormous business, as a swanky new shopping center, are bringing their heads up in the area. This makes Shankar and the other little retailers of the region attentive. Will they have the option to exist together as well as will they be cleared aside by the new flood of free enterprise? What occurs next structures the core of the story.

As you can construe, they are a great deal of political connotations here. While the executive may contend that it is there to make struggle and goals, a ton of watchers may see it distinctively in these politically delicate occasions. There are subplots about John Henry, the ascent and fall of socialism and manhunts of adolescents having a place with periphery gatherings. None of these have anything to do with the center plot and astute altering could have removed a few scenes and help shave off a portion of the runtime. The consummation also is somewhat risky and sullen. Rather than finding an answer, the film infers that the last nails on the entrepreneurs pine boxes have just been struck.

That separated, there is little to grumble about. The acting office is all around taken consideration off with stalwarts like Kaushik Ganguly, Saswata Chatterjee and Anjan Dutt in top structure. Kaushik needs extraordinary notice as he mixes his character with mankind and poignancy and makes you care for him. An amazement is the insufficient utilization of entertainer Sreela Majumdar, who plays Shankar's better half. An on-screen character of her bore merits a couple of more scenes as the steady spouse. The music and melodies by Kabir Suman are topical and help move the story along. There is lighthearted element as Saswata and Kanchan Mullick as well. Generally speaking, a better than average exertion drove marginally adrift by a winding content.

— Srijoy Mukherjee